Filed under curiosity

living in a box.

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Cardboard “housing,” Tokyo, late 1990s

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I lived in Japan during the boom times and left before the bust. And bust it did. The photos here paint a depressing picture of just how bad times became for some Japanese in the 1990s. Recession brought with it a seismic realignment in the relationship between workers and employers. College recruitment slowed to a trickle, women were discouraged from entering the workforce, and lifetime employment began to be phased out. Suddenly millions of Japanese became “arubaito” — part-timers.

Tokyo is not a city in which one wants to be without a steady income. At the recession’s inception, the city remained the most expensive in the world, and before long blue- and white-collar workers alike found themselves struggling to pay their bills. The most unfortunate of these, primarily day laborers, a.k.a. construction workers, lost their jobs and then their homes. Increasingly, Japanese commuters began encountering these unfortunate souls in their subway stations. One of the largest of these stations, Shinjuku, became home to several hundred of the newly dispossessed living in cardboard boxes. These elaborately painted boxes and the suspicious fire that eventually destroyed them — killing four — are documented at the links below.

I read about the Shinjuku box-dwellers from time to time throughout the 1990s, but I remained unaware of their fate until stumbling across the story on Pink Tentacle recently. Coincidentally, I now live close to a city that’s engaged in its own initiative to roust the homeless from public spaces. Housing costs in northern California are on a par with those of Tokyo ten years ago, and safety nets are no more adequate.

There’s no one solution to homelessness. Good people inside and out of government continue to look for answers. Our media tell us that Americans don’t want or can’t afford a safety net on the scale of what northern Europeans offer. Some still revel in the image of Americans pulling themselves up by the bootstraps, assuming that everyone has boots to begin with, and no demons or addictions to overcome.

You can find more photos of Shinjuku Station’s cardboard house paintings here and here.

An explanation of the effort to paint and photograph the structures is available on artist Take Junichiro’s website. Excerpt: “A group of painters painted them. Leading the group was Take Junichiro, who is also the person who made this website. Once during the painting process Take was arrested and forced to spend 22 days in jail. The painting continued even after his arrest, but finally came to an end when the underground kingdom was destroyed in a huge fire. After the fire, the authorities started reconstruction on the tunnels so that the homeless could never occupy them again. They succeeded in kicking the homeless out of the west exit underground. This website was made to call attention to the paintings on the cardboard houses… The photographs here are the work of photographer Sakokawa Naoko and others who sympathized with what we were doing.”

More on the homeless in Tokyo is available here, in an article from the period of the cardboard house paintings. The fire and its aftermath were the subjects of this article in The Japan Times.

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transbay terminal conclusion.

I can’t work up much enthusiasm for the Transbay Joint Powers Authority’s decision Thursday, so this could be my last post on the subject. As expected, the TJPA went with the jury recommendation and selected the Pelli Clarke Pelli obelisk design. They also heard the developers speak of a fast-track effort to construct the 1200-foot tower. Not surprisingly, a number of interested observers weighed in with comments on the TJPA’s decision.

My previous posts listed several perceived flaws in the selection process and the Pelli design, all of them raised by SF Chronicle readers. That paper’s urban design writer John King touched on these same points in yesterday’s fast-track article, specifically the impact of money on the decision, the accessibility of a park 70 feet above ground level, and the lack of any housing in the proposed tower.

Regarding the tower’s proposed 80-stories, King points out that any reduction in height will likely cause the developers to reduce the amount of money they’re willing to offer. So while there may be revisions to the design and even its proposed inhabitants (from offices-only to mixed use), don’t expect the tower to be brought down to the Transamerica Pyramid’s 853-foot height. This design, or something quite like it, will become the new focal point of San Francisco’s skyline.

Chronicle readers looking for a silver lining in Thursday’s TJPA decision found it in the realization that at least a new public transit hub will be constructed. As reader rs1009 said in the Chronicle’s reader comments, “… the proposal to improve the terminal I am all for. A major public transit hub and improved transportation options (see: high-speed rail) will do more to move this city forward than any number of giant skyscrapers.”

High-speed rail: now there’s a subject a lot of folks could get excited about. Would that we had the political will to make high-speed rail happen.

transbay terminal revisited.

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Transbay Terminal Tower, San Francisco (proposed)

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Two International Finance Centre, Hong Kong (existing)

The seven-member jury overseeing selection of San Francisco’s Transbay Terminal project made its recommendation Monday, and the early reaction is trending negative. Criticism of the recommended proposal includes the following:

» The tower is too conservative for San Francisco.
» It contains only office space, no housing.
» The five-acre park offers limited access.
» The building has been done before, in Hong Kong.
» Money, not design, dictated the selection.

It is the final point that discourages this from being a true design competition. As the SF Chronicle’s urban design writer John King points out, the developer behind the Pelli Clarke Pelli design offered $350 million for the land, more than $200 million above the price offered by the other two design-development teams. Only if the design were impractical or an eyesore might we expect the jury not to select Pelli’s obelisk, and it is neither. On the contrary, it is prudent (for an 80-story building) and reasonably attractive. It will also do little to enhance the skyline of San Francisco and is unlikely to elicit more than a shrug from most viewers. Think of it as One Rincon Hill West.

While I like the idea of a five-acre park, I think the detractors are correct in saying that it is too remote to receive significant numbers of visitors. At seven stories above street level, who can argue? Aside from the jury, who claim that “the park would add much-needed green space to the neighborhood for a growing number of residents and would be an exciting and unique new destination within the city.”

I’ve said before that I favor the Skidmore Owings Merrill design. The tower has character, and I’m intrigued by the dramatic entranceway and community spaces (here and here) depicted in the renderings. SOM isn’t infallible — see the world’s biggest peace sign — but has acquitted itself well.

Tuesday’s press coverage stresses that the jury’s recommendation isn’t the same as a final decision, but acknowledges that getting the Transbay Authority’s board of directors to choose one of the other designs will be an uphill battle. Already one of the board members, SF supervisor Chris Daly, has said he’ll support the jury’s recommendation.

The public is invited to comment on the designs through September 17 by emailing D&DComment@transbaycenter.org. Comments will be forwarded to the TJPA board with the jury’s recommendation at the September 20 board meeting.

More about the Transbay Joint Powers Authority and funding of the project is reported by Robert Selna.

Tranbaycenter.org has additional information, including more on the environmental and civic impact of all three proposals.

(no longer) blinded by numbers.

Cans Seurat, 2007 – 60×92″
Depicts 106,000 aluminum cans, the number used in the US every thirty seconds.

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Detail (click to expand)
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From Chris Jordan’s Running the Numbers: An American Self-Portrait

You can choose to either say something or show it. In an exhibit opening next week in Los Angeles, photographer Chris Jordan clues us in to which approach he favors. The Seattle-based Jordan uses photographs to offer viewers an arresting take on contemporary American culture.

“Each image,” Jordan explains on his website, “portrays a specific quantity of something: fifteen million sheets of office paper (five minutes of paper use); 106,000 aluminum cans (thirty seconds of can consumption) and so on.

“Statistics can feel abstract and anesthetizing, making it difficult to connect with and make meaning of 3.6 million SUV sales in one year, for example, or 2.3 million Americans in prison, or 426,000 cell phones retired every day. This project visually examines these vast and bizarre measures of our society, in large intricately detailed prints assembled from thousands of smaller photographs.”

A few thumbnails of Jordan’s prints are available here. However, Jordan cautions that the prints must be seen in person to appreciate their full impact.

The exhibit opens September 8 at the Paul Kopeikin Gallery. For more on Chris Jordan and Running the Numbers, visit chrisjordan.com.

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Ben Franklin, 2007 — 8.5 feet wide by 10.5 feet tall in three horizontal panels
Depicts 125,000 one-hundred dollar bills ($12.5 million), the amount our government spends every hour on the war in Iraq.

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Detail (click to expand)
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Prison Uniforms, 2007 — 10×23 feet in six vertical panels
Depicts 2.3 million folded prison uniforms, equal to the number of Americans incarcerated in 2005.

Installed at the Von Lintel Gallery, NY, June 2007
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Detail (click to expand)
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and next we’ll do jackson pollock.

Because my wife is Japanese, we eat a lot of rice in my family. We’ll go through a 20-pound bag of Hikari Imperial Quality in a month. Until recently, I thought rice was simply for eating. I was wrong.

Take a look at what some rice farmers in Aomori prefecture — the region at the very north of Japan’s Honshu island — are doing with the grain. Ignore the few skeptics in the comments section at Pink Tentacle claiming the images are photoshopped. They’re real. More images can be seen on the town of Inakadate’s official website and on a blog kept by one of the town’s information officers.

Here’s an image of the different strains of rice alongside each other. Click to expand.
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Is this Japan’s answer to crop circles? Who knew there were so many creative ways to play with food?

going up.

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Design of Rogers Stirk Harbour.
More here.

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Design of Pelli Clarke Pelli.
More here.

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Design of Skidmore Owings Merrill.
More here.

San Francisco’s skyline is destined for a major facelift by the year 2014. The Transbay Joint Powers Authority (TJPA) sponsored a competition to develop a large tract of land in downtown SF not far from the Giants’ ballpark, and the three proposals unveiled last week all include plans for the west coast’s tallest building.

I’ve not seen the scale models that were displayed in City Hall last week but have linked to coverage that appeared in the SF Chronicle. It includes reactions from SF residents and the Chronicle’s urban design writer, John King. He’s on record as liking the Rogers Stirk Harbours proposal but acknowledges that changes will almost certainly be requested in whichever proposal is chosen. Below are links to more pics along with the Chronicle’s coverage.

My take? I love modern architecture done well and believe that today’s cities benefit from building up, not out. Soaring structures belong at the center of our downtowns, especially when those structures complement their surroundings. Too many highrises do not complement their surroundings, however. I first stood at the base of the World Trade Center’s twin towers in 1985 and was suitably awed by their height and footprint. Yet, when viewed from afar, their height struck me as too much out of proportion to the buildings around them, particularly in the years before the World Financial Center was completed. This could have been overlooked if the towers hadn’t been so plain and even homely. Which isn’t to say they aren’t sorely missed.

The Transbay towers are also guilty of overwhelming their surroundings, yet each has its own appeal. Like King, I like the daring of the Rogers design, while questioning the erector-set aspect to it (especially apparent in some of the renderings I’ve linked to). The Pelli tower is glossy and magnificent, but could be noticed more for its sheer height than for the excitement of its design (like the WTC, perhaps). The Skidmore design may be my favorite, with its grand entranceway and twisting frame that is supposed to provide greater structural integrity. No small matter in earthquake country.

Look not just at the towers but at the large transit terminal planned for the base of each tower before deciding which design (if any) works best for you.

Read John King’s article.

View more images of all three designs.

will it hang on a wall?

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Every two years my extended family gets together for a family reunion in Florida. It’s one of the rare occasions for my two boys to spend time with their east-coast cousins and actually swim in the ocean (norcal waters being far too chilly).

One of the staples of each reunion is the sandcastle competition. As the unofficial official photographer, I documented the latest efforts. The winning entry had a distinct Polynesian theme, with a touch of Easter Island thrown in for good measure. A few snaps follow. It may or may not be art, but I like it. Maybe you will too.

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color her world.

One woman’s possessions arranged by color and then photographed. I found this so compelling that I immediately wanted to share it. Three samples are seen here, with a link to all eight here.

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little slice of americana.

Look real closely and you’ll see a tiny pocket of Twins fans in northern California. Props to Flickr user littlebudapest, who found this map in SF’s Niketown.

Still can’t see us?

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in case you missed it.

I went two years in Japan without owning a television. Then I got a new girlfriend (now my wife of fifteen years) who thought that someone working in advertising should know more about Japanese media. That’s how I became exposed to Japanese game shows. They are different, as you can see here. Watch and enjoy.

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